Germaine Acogny, dubbed “Mother of African Dance,” challenges norms, infusing Blackness and West African rhythms into her choreography. Born in Benin in 1944 and settled in Senegal, she founded Jant-Bi dance company and École des Sables, a renowned dance center. Despite encountering racial and gender biases in her early dance training in Paris, Acogny embraced her unique physique and African heritage, pioneering a distinctive dance language.

Image credit: Joel Saget/AFP/Getty Images

Her influence extends globally, receiving accolades such as the Golden Lion at the Venice Biennale and a Bessie Award in New York. Through her technique, she fosters a fusion of traditional African, European, and American dance forms, shaping contemporary African voices. Acogny’s work embodies a feminist decolonial narrative, exploring themes of history, identity, and spirituality.

Notable works include “Fagaala,” delving into the Rwandan genocide through a fusion of Butoh and West African dance, and “Somewhere at the Beginning,” a poignant solo reflecting on her dual heritage and colonial legacies. As she celebrates her 80th birthday, Acogny’s legacy stands as a testament to her transformative impact on African dance, reshaping perceptions of bodies, histories, and identity.

Re-reported from the article originally published in She the people.

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