Eva Longoria inspires son with independence
Eva Longoria embarks on an unexpected journey in her new Apple TV+ dramedy, Land of Women, but her greatest adventure offscreen is motherhood. In a recent interview with Parade, the Desperate Housewives alum described parenting as a lifelong adventure. Longoria, who shares her son Santiago Enrique Bastón with her husband José “Pepe” Bastón, emphasizes the importance of showing him what women are capable of.
“I can’t just tell him about women; I can show him,” Longoria said. “I want to be an example of a woman he should respect and see as equal, strong, and independent. Raising a son, it’s vital to demonstrate our capabilities and strength, and I know he recognizes that.”
She added, “Whether it’s through my interactions with him, my philanthropy, or my work, he often watches in awe. I hope he grows up expecting the same from other women, recognizing their strength and ability to reach their dreams.”
Strong women are at the heart of Longoria’s new series, Land of Women. Inspired by Sandra Barneda’s novel La Tierra de las Mujeres, the show follows Gala, played by Longoria, a wealthy New Yorker whose life unravels when her husband defaults on a debt. She flees to Spain with her mother and teenage daughter, portrayed by Carmen Maura and Victoria Bazúa, respectively. With her husband gone, Gala must navigate the challenges herself.
“It’s a beautiful discovery for women,” Longoria noted. “The series teaches that you are enough as you are, possessing all the strength needed to face any challenge, whether in work, family, or relationships. Finding your strength and your own roar is what makes this series so appealing.”
Longoria’s new dramedy, which debuted on June 26 on Apple TV+, highlights themes of empowerment and resilience, offering a feel-good and wanderlust-inducing experience. It underscores the journey of finding inner strength and embracing independence.
Continue reading to learn more about Land of Women and its captivating exploration of strong female characters.
Re-reported from the article originally published in Parade.
