Image Credit : BBC

In the heart of Bengal, a legendary fabric was born. Dhaka Muslin, the coveted treasure of emperors and queens, was woven with love and precision over 2,000 years ago. My story is one of passion, loss, and resurrection.

In ancient Egypt, I was revered for my delicate beauty. The Mughal Empire’s opulent courts adorned me with intricate designs. European elites, including Marie Antoinette and Jane Austen, coveted my gauzy quality. But my success was short-lived. The British East India Company’s exploitation led to my downfall, and my weaving techniques were lost to the sands of time.

For centuries, my legacy lay dormant, a forgotten relic of a bygone era. But the flame of love for Dhaka Muslin never flickered out. In Bangladesh, artisans kept my memory alive, passing down stories of my grandeur through generations.

Today, a new chapter unfolds. Researchers in Bangladesh and the UK have embarked on a quest to revive me. Bengal Muslin, a project launched in 2014, has made remarkable progress. Scientists have identified the elusive Phuti karpas plant, whose fibers were the secret to my extraordinary softness.

Like the phoenix, I rise from the ashes, reborn and radiant. Just as the mythical bird’s cyclical rebirth symbolizes resilience and renewal, my revival embodies the indomitable spirit of Bengal’s artisans and the timeless beauty of Dhaka Muslin.

Artisan Al Amin has painstakingly recreated traditional tools and conditions, weaving hybrid muslin threads into exquisite saris. Each thread count – up to 1,200 – is a testament to the skill and dedication of Bengal’s master weavers.

“I’ve spent years researching Dhaka Muslin,” says Saiful Islam, Head of Bengal Muslin. “It’s not just a fabric; it’s our culture, our history. We’re bringing back a part of ourselves.”

Bangladesh’s Textiles and Jute Minister, Golam Dastagir Gazi, proudly announces, “We’ve successfully revived Dhaka Muslin! Commercial production is next.” The world watches as I regain my former glory.

Progress Update:

  • 6 saris have been woven using the revived techniques
  • Hybrid muslin threads have been developed
  • Phuti karpas plants are being cultivated
  • Artisans are training to preserve traditional weaving methods

As I regain my place in the world, I remember the words of design historian Sonia Ashmore: “Dhaka Muslin’s thread counts were unmatched. Its revival is a testament to human perseverance.”

My story is one of love, loss, and rebirth. Today, I am Dhaka Muslin, resurrected and radiant, ready to adorn the world once more.

Anamika Chakravorty. Staff Reporter