Lee and Milligan blend noughties feminism with 80s bonkbuster flair

Switching from nonfiction to fiction takes bravery and skill. The leap into storytelling, especially after years in journalism, can feel daunting. It’s not just about knowing how to write, but creating your own characters and weaving them into original stories. Bri Lee and Louise Milligan, renowned for their investigative work, have now ventured into fiction with their debut novels. While their backgrounds lend weight to their writing, transitioning to fiction is a whole new challenge.

Bri Lee’s “The Work” dives into the world of New York’s art scene, tackling themes of creativity and capitalism. It follows the glamorous but morally murky lives of characters like Lally, a gallery owner, and Pat, an auctioneer. The novel is filled with steamy encounters and glitzy art parties, but struggles to balance satire with entertainment.

Louise Milligan’s “Pheasants Nest” is a gripping thriller centered around TV reporter Kate Delaney’s abduction and assault. It delves into themes of patriarchy and media culture, offering a twist on traditional crime fiction. However, some may find the attempt at humor in the face of trauma unsettling.

Both novels promise an engaging read, with elements of escapism and drama. Despite their flaws, they are likely to find success, appealing to readers seeking entertainment and a glimpse into worlds of glamour and intrigue.

Repurposed article originally published in The conversation